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• GLASS STAINING ART IN THE TURKISH – ISLAMIC ARCHITECTURE AND THE GLOBALIZATION

SUMMARY


The establishment of the glass staining art in the Turkish – Islamic architecture and the progress of its development has been studied within the frame work of its situation at the present time in the country with the thought of introducing the Turkish glass staining art to the global scale after making statements on the glass staining art in general and some suggestions have been tried to put forward on the issue of making our glass staining art to be global on our work, which is called, ''The Glass Staining Art in the Turkish-Islamic Architecture and the Globalization''. Our work, which has been prepared with this aim in mind, contains two main sections following the introductory section. An panorama has been introduced in the introduction section about the stages that the glass staining has gone through the history since the time it had emerged in the geographies and in the cultures, the place it has taken in the modern architecture today and the contributions, where the refreshing of the glass staining can bring in to our country.

A short description of the glass staining has been made, a touch has been provided on its history, a short history of the Turkish decorative art has been provided, the place of the glass staining within the decorative arts has been mentioned and the information has been provided about the main motives and the figures, which are used in the Turkish decoration arts collectively. Following the statements about the general development progress of the glass staining in the Turkish – Islamic architecture, the technical issues like the tools and the equipments that are used in the glass staining, the colour and the figuring for the glass staining, some important glass staining techniques and the over glass operations have been mentioned. The psychological effects of the glass staining with the view on the unison of the light and the image have been mentioned at the end of the section.

The second section is where the globalization issue and the glass staining in the country are mentioned in their weight and where the suggestions have developed about making the Turkish glass staining art global. The effects of the globalization have been evaluated by mentioning its effects on the local cultures after making an general description of the globalization. Following this, the place of the Turkish art within the world art has been examined and it has been tried to put forward the latest position of the Turkish glass staining art within the country and the world also with the help of the information we have obtained as the result of interview we have carried out with the glass staining artist, Halil Oguz. Our work has been finalized by developing the views about what can be done to make the Turkish glass staining art global.

The key words: The Turkish Glass Staining Art, the Glass, the Turkish Decorating Arts, the Globalization.